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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Adams Apple, 2013 by Petrina Hicks

Petrina Hicks

More about In the flesh artists

Petrina Hicks has exhibited widely throughout Australia, and internationally, including Germany, Spain, France, Italy, USA and Japan. Her work was selected for screening in the 17th International Videobrasil (2011) and featured in Pingyao International Photography Festival, China (2010).

Tarryn Gill standing in her studio next to a sculpture on a white plinth

Tarryn Gill

Artists and Collectives

Tarryn Gill is a Boorloo/Perth-based multidisciplinary artist who works across the mediums of sculpture, installation, photography, film, drawing, set and costume design, and performance.

Walking in tall grass, Lucy, 2010 by Jan Nelson

More about In the flesh artists

General content

The exhibition features work from Jan Nelson, Natasha Bieniek, Patricia Piccinini, Juan Ford, Petrina Hicks, Ron Mueck, Yanni Floros, Sam Jinks, Michael Peck and Robin Eley.

Portrait 23: Identity

Artists and Collectives

General content

Arts Project Australia, Yarrenyty Arltere Artists, ‘stArts with D’ Performance Ensemble, Abdul Abdullah, Alison Alder, Amrita Hepi, Atong Atem, Christopher Bassi, Kate Beynon, Mia Boe, Baby Guerrilla, Tarryn Gill, Julie Gough, Naomi Hobson, Deborah Kelly, Fiona McMonagle, Angelica Mesiti, Dylan Mooney, Nell, Sally Smart, Vipoo Srivilasa, Latai Taumoepeau and Kaylene Whiskey.

Adams Apple, 2013 by Petrina Hicks

Alienation

More about In the flesh

Segregated from their fellow humans in cellophane prisons, reference points are removed, so it is not certain whether these naked figures could be unwrapped, are about to be subsumed, or will forever be suspended in a plastic stasis.

Divide, 2011 by Sam Jinks

In the Flesh

15 October 2014
Archived media releases 2014

Press releases and image downloads for media.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018 winner announced

23 March 2018
Archived media releases 2018

Finalists have been eagerly awaiting the announcement of the Winner and Highly Commended for the National Photographic Portrait Prize since December. It is our pleasure to announce the Winner for 2018 is Lee Grant for her portrait titled Charlie and Highly Commended has been awarded to Filomena Rizzo for her portrait titled My Olivia.

Still Life (Pieta), 2007 by Sam Jinks

More about In the flesh

General content

In the flesh is realised through moments of intimacy, empathy, transitions in life and the transience of life, vulnerability, alienation, restlessness, self-reflection, mortality and acceptance.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

8 March 2018
Archived media releases 2018

Images for media use will be available from 8 March 2018.

Portrait23: Identity logo

Announcing... Portrait23: Identity

15 November 2022
Media

In this major new exhibition marking the National Portrait Gallery’s third decade, 23 Australian artists and collectives have been invited to create portraits without constraints or boundaries.

Cormac and Callum, 2008 by Ingvar Kenne

NPPP 2009 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.

Sammy Dodd

2022 Annual Appeal

Annual Appeal

In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.

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Annual Appeal

Listed by year
Honour board
National Portrait Gallery

History

About us

How the National Portrait Gallery and its unique collection came to be

Nicholas Harding, 2016 Mark Mohell

Nicholas Harding

Explore The Popular Pet Show

Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality. 

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency